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Disney wzmacnia aktorski «Tangled» prestiżem nagród: Caitríona Balfe zagra niemal niemą królową Ariannę

Camille Lefèvre

Disney’s live-action remake line has spent the past few years absorbing critical body blows, and its counter-strategy is increasingly legible in the margins of the cast list rather than at the top of it. For its reimagining of Tangled, the studio has ringed two fresh-faced leads with a bench of award-nominated adults — and the newest addition, Caitríona Balfe as Queen Arianna, is the clearest tell yet. Arianna barely spoke a word in the 2010 original; handing that near-silent part to a five-time Golden Globe nominee is prestige deployed as insurance, not as showcase.

As Deadline first reported, Balfe will play Rapunzel’s long-lost mother in Michael Gracey’s adaptation of the animated musical. She was pointedly absent from the first footage Disney teased at its D23 showcase, a reel that foregrounded Teagan Croft’s Rapunzel, Milo Manheim’s Flynn Rider and Kathryn Hahn’s Mother Gothel. Announced alongside the footage rather than inside it, Balfe’s casting extends a clear pattern: the ensemble’s dramatic gravity is being outsourced to performers who carry festival and awards-circuit credibility.

For Balfe it is a curious geographic leap — from the 18th-century Scotland of Outlander, which earned her four of those Globe nominations as Claire Fraser, and the hushed grief of Belfast, to the storybook Kingdom of Corona. Gracey, who turned Hugh Jackman into a ringmaster in The Greatest Showman, is a spectacle director handed a musical property, a pairing that signals Disney wants Tangled’s songs to play as event cinema rather than nostalgia.

That instinct runs through the wider cast. Kathryn Hahn arrives off Agatha All Along to play the villain; Diego Luna joins as Hawthorne, a character Disney has flagged as new to this telling; Elliot Cowan takes the throne as King Frederic. The studio is simultaneously importing adult prestige and inventing roles to stretch a 100-minute cartoon into a live-action tentpole. Now shooting in Spain, the film is set for theaters on March 31, 2028.

The gamble is easy to read: a queen who once communicated almost entirely in glances will now wear a Golden Globe nominee’s face — Disney betting that a silent role, cast this loudly, reads as confidence rather than overkill.

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